01
The pixel is lying to you
Missing events, duplicate conversions, no Conversions API. Meta optimises towards whatever it can see — and if what it sees is wrong, it will confidently spend your budget on the wrong people.
Reach, impressions and engagement are easy to buy and easy to put in a report. What matters is what a qualified enquiry costs you and whether that number is going down. I run Facebook and Instagram campaigns against that one measure.
Before you raise the budget, it is worth knowing whether the account can even tell you what is working.
01
Missing events, duplicate conversions, no Conversions API. Meta optimises towards whatever it can see — and if what it sees is wrong, it will confidently spend your budget on the wrong people.
02
A strong ad pointing at a slow, unfocused page is an expensive way to buy bounces. The click is the cheap part; the page decides whether it was worth paying for.
03
Meta’s delivery is driven by creative. A single ad running for weeks stops working long before the reporting makes that obvious, and the budget keeps going out regardless.
A campaign is not an ad. It is an offer, a creative, a landing page and a tracking setup — and it performs at the level of whichever one is weakest.
Everything from the tracking underneath to the creative on top — because the account only works if all of it does.
Business Manager, ad account and pixel configured properly, with Conversions API and server-side events so conversions are still measured when browser-side tracking is blocked.
What we are advertising, to whom, at what stage of intent, and what a lead is actually worth to you. Campaign structure and budget follow from that rather than from a template.
Interest, lookalike and custom audiences built from your own data where it exists, with the exclusions that stop you paying twice to reach the same person.
Concepts, hooks, copy and format direction across static, carousel and video — with enough variation for the algorithm to have something meaningful to choose between.
The page the ad points at is treated as part of the campaign. Message match, load speed and form friction all get checked before a single ad goes live.
Weekly reviews of what to scale, cut or refresh, and a monthly report in plain language: spend, leads, cost per lead, and what changed to move it.
Review the existing account if there is one, then fix the measurement layer. Nothing launches until conversions are being recorded correctly.
Campaign structure, audiences and a first round of creative, pointed at a landing page that matches what the ad promised.
Controlled spend while delivery learns, testing angles against each other rather than changing five things at once.
Budget moves towards what produces qualified leads, creative is refreshed before fatigue bites, and the losers get cut without sentiment.
Ad spend goes directly from your card to Meta. I never take a cut of your budget, which means I have no incentive to tell you to spend more than you should.
Management is month to month. If the campaigns are not working and I cannot fix them, you should be able to stop without an exit conversation — that constraint is deliberate.
Priced on account complexity, not as a percentage of how much you are willing to burn.
Delivery needs enough conversions to optimise. Too small a budget and you are paying for noise.
No annual contract. Stop when it stops being worth it.
Enough for the campaign to get out of the learning phase, which means enough conversions per week for Meta’s delivery system to optimise on. Below that threshold you are not running a campaign, you are buying random impressions.
The right number depends on your cost per lead and what a customer is worth to you. We work it out from those figures, and I will tell you plainly if your budget is too small for this to be worth starting.
Usually within the first week — though the first week is not the number to judge anything by. Campaigns spend their opening days in a learning phase where cost per lead is unstable and often high.
The meaningful read comes at two to three weeks, once delivery has settled and there is enough data to tell a genuinely winning creative from a lucky one.
No. Management is a flat monthly fee based on how much work the account actually needs.
A percentage model pays the manager more when you spend more, which is a bad incentive to place between you and your budget. Your ad spend goes straight to Meta on your own payment method — it never passes through me.
Usually one of three things: creative fatigue, a tracking break, or a saturated audience. The most common is creative — Meta’s delivery is heavily creative-driven, and an ad that performed for three weeks can stop earning delivery quickly.
The second most common is a silent tracking failure after a website change, where the pixel stops firing correctly and Meta starts optimising on bad signals without telling anyone. Both are diagnosable in an audit before you spend anything more.
I would rather build one first. Sending paid traffic to a homepage is the single most common reason a technically competent campaign produces expensive, low-quality leads — the visitor arrives with one specific intent and has to hunt for the thing the ad promised.
A focused landing page usually pays for itself in reduced cost per lead inside the first month of spend.
Send me your account or your offer. I will tell you what is realistic for your market and whether your current setup is capable of measuring it.